0117 929 3679
The first production monitor that also records 4K 12bit Raw, 10bit ProRes/DNxHR, plus 1080p60 live switching and recording.
For the first time, your on-set production monitors can be HDR capable and have recording capacity. The Sumo is not only for high quality shot preview, it can record dailies, proxies or 4Kp60 masters and has playback controls away from the camera team on a high quality, calibrated 19in 1200nit 10-bit HDR screen.
Take Sumo into the studio to use as an HDR grading monitor. Simply connect with your grading software to take Log, PQ or HLG signals from your Mac/PC and instantly see colour accurate HDR in 10-bit quality with 10 stops of dynamic range.
As of April 2018 the SUMO supports PRORES RAW.
Weight | |
Without batteries, media & stand | 5.6kg / 12.3lb |
With stand | 6.2kg / 13.7lb |
Dimensions (W x H x D mm) | 504 x 310 x 63mm, 19.8" x 12.2" x 2.5" (without stand) |
504 x 330 x 180mm, 19.8" x 13" x 7.1" (with stand) | |
Construction | Aluminium alloy chassis with built in armor protection |
Mounting Points | 1/4-20 screw; 4 x top, 4 x bottom, 2 x side |
3/8-16 screw; 2 x top, 2 x bottom, 1 x side | |
VESA mount rear | |
Power | |
Operating power | 75W |
Compatible batteries | V-Lock / Anton Bauer via XLR terminal |
(optional mounting plates available) | |
Input voltage (battery) | 14.4V nominal |
Battery time (based on 7.4V) | Depends on Watt Hours speci cation of battery used |
DC In | 1 x DC in (6.2 - 16.8V) |
Continuous power | Primary-secondary battery system. |
* Patent pending | Change batteries without losing power |
Loop batteries continuously | |
Touchscreen | |
Size | 19” |
Resolution | 1920 x 1200 |
PPI | 120 |
Aspect ratio | 16:9 native |
Colour Gamut | REC709 HDTV |
Look up table (LUT) support | 3D LUT (.cube format) |
Anamorphic de-squeeze | 2x, 1.5x, 1.33x, Panasonic 8:3 |
Technology | SuperAtom IPS panel (capacitive touch), |
calibration to Rec.709 with optional calibration unit | |
HDR | |
AtomHDR | Yes |
Supported Log formats | Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, |
Panasonic Vlog, JVC JLog, Red LogFilm | |
Supported Gamuts | Sony SGamut / SGamut3 / SGamut3.cine |
Canon Cinema / BT2020 / DCI P3 / DCI P3+ | |
Panasonic V Gamut | |
Arri Alexa Wide Gamut | |
Bit depth | 10-bit (8+2 FRC) |
Brightness | 1200nit (+/- 10%) |
HDR input (PQ/HLG) | Yes / Yes |
HDR output (PQ/HLG) | Yes / Yes |
Video Input/Loop Out | |
HDMI | 1 x HDMI (2.0) |
SDI | Quad link 4 x 3G SDI* or up to 12G single link SDI |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(camera dependent) | |
Video Output (Play Out) | |
HDMI | 1 x HDMI (2.0) |
SDI | 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G |
Signal | Uncompressed true 10-bit or 8-bit 422 |
(playback file dependent) | |
Supported Loop Out Formats | |
HDMI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120 | |
2160p 24/25/30/50/60 | |
SDI to SDI | 720p 50/60, 1080i 50/60 |
1080pSF 24/25/30 | |
1080p 24/25/30/50/60/100/120 | |
2160p 24/25/30/50/60 | |
Video Signal Conversion | |
HDMI to SDI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
SDI to HDMI | 720p 50/60, 1080i 50/60, |
1080p 24/25/30/50/60/100/120/200*/240* | |
2160p 24/25/30/50/60 | |
Supported Codecs & Frame Rates (Record & Playback) | |
Raw Record | Sony FS5/FS7^^/FS700 CDNG |
4K DCI; 24/25/30p | |
4K UHD; | |
2K; 24/25/30/50/60/100/120p | |
1080; | |
Canon C300MKII/C500 CDNG | |
4K DCI; 24/25/30p | |
4K UHD; 24/25/30p | |
2K; | |
1080; | |
Panasonic VaricamLT / Varicam35* CDNG | |
4K DCI; 24/25/30p | |
4K UHD; 24/25/30p | |
2K; | |
1080; | |
Arri Alexa Mini .ARI* | |
2880x1620; 24/25/30/50/60p | |
2880x2160; 24/25/30/50/60p | |
Raw to ProRes / DNxHR | Sony FS5/FS7/FS700 |
ProRes (HQ, 422, LT) | |
DNxHR (HQX, HQ, SQ, LB) | |
4K DCI; 24/25/30/50/60p | |
4K UHD; | |
2K; 24/25/30/50/60/100/120/200/240p | |
1080; | |
Canon C300MKII/C500 | |
ProRes (HQ, 422, LT) | |
DNxHR (HQX, HQ, SQ, LB) | |
4K DCI; 24/25/30p | |
4K UHD; 24/25/30p | |
2K; | |
1080; | |
Panasonic VaricamLT / Varicam35* | |
ProRes (HQ, 422, LT) | |
DNxHR (HQX, HQ, SQ, LB) | |
4K DCI; 24/25/30/50*/60p* | |
4K UHD; 24/25/30/50*/60p* | |
2K; not supported in camera | |
1080; not supported in camera | |
Video to ProRes / DNxHR | Codecs |
(DNx utilizes a .MOV wrapper) | Apple ProRes HQ, 422, LT |
AVID DNxHR HQX. HQ, SQ, LB | |
Frame rates | |
4K DCI; 24/25/30/50/60p | |
4K UHD; 24/25/30/50/60p | |
2K; N/A | |
1080p; 24/25/30/50/60/100^/120^/200/240p | |
1080i; 50/60i | |
720p; 50/60p | |
Onboard Processing | |
Pulldown removal | 24/25/30pSF 24/25/30p (2:2 pulldown) |
60i 24p (3:2 pulldown) | |
4K UHD downscale for HD monitoring | Yes - Loop-out and playback (Not available in RAW) |
Audio In/Out (48kHz PCM Audio) | |
HDMI | 2 or 8ch 24-bit, camera dependent |
SDI | 12ch 48kHz 24-bit |
Audio | 2ch balanced XLR analogue in/out (direct XLR connection) |
Dynamic range 90dB | |
Max signal level +24dBu | |
Max analog gain +52dB | |
48V Phantom Power for Mic | |
Headphone Out | 3.5mm |
Built-in Speakers | Yes |
Remote Start/Stop | |
HDMI | Auto HDMI Trigger |
Supported Protocols - Canon, Sony, Atomos Open Standard | |
SDI | SDI trigger camera selectable |
Other | LANC control - Slave |
Playback | |
Playlist / Genlock / LTC | Yes / Yes / Yes |
CDNG (Recorded content) | No support |
ProRes (Recorded content) | All recorded files can playback. Playback in slow motion = 100fps |
DNxHR / DNxHD (recorded content) | All recorded files can playback. Playback in slow motion = 100fps |
Recording | |
Pre-roll record | Yes (HD 8s, 4K 2s) |
Custom timelapse | Yes |
Meta data tagging | Yes (10 tags available) |
Supported media | 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of |
tested and approved drives | |
Master caddy case | Master Caddy II (included) |
75mm x 105mm x 12mm | |
Master caddy dock | 2.5” SATA to USB 2.0/3.0 |
Supported applications | Supported Applications FCPX/FCP7+ / Media Composer |
5.0+ / Premiere 5.5+ | |
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks / | |
Autodesk Smoke 2015 | |
XML support | FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools |
£1,995 EX VAT Plus shipping (CVP as of 10/10/18)